Project about the monastery Mariavall in Tomelilla (Sw), by architect Dom Hans van der Laan. A series of privat rooms, reconstructed as felt models. Repetition reflected  in form.

Tomelilla

A series of three embroided table cloths. The form and size of the tables and cloths are based on the floorplans of historic social housing in Rotterdam (Kiefhoek and Vreewijk). Citings are from a wide range of artists and thinkers and relate to 'living'. 

In a second iteration the work was extended with a booklet containing the floorpans and citings. And a pair of  wooden Kitchen Tables. The Tables were based on the floorplan of the kitchen, scaled down to the size of a table. 


The work was first shown in PARK - Tilburg in a curated exhibition by Corrie Besems (T)HUIS.  Secondly at RAM - Rotterdam
The table cloths are machine embroided in the textile lab of Textile museum, Tilburg.

Borduren Wonen Denken (Table Cloth)

House Wife is a series of two diptychs that deal with the notion of the positioning of woman in an interieur/household. In this case in a historical context.
The embroided images are based on 17th century painting by Pieter de Hoogh and depict a woman doing household tasks. The adjective 'housewife' has been separated both in title and image.

House Wife

Shells is a series of felt models. These scale models are bases on different types of underground bunkers used in second world war. The surface of the inner rooms is made soft as a vulnerable skin. The enclosed rooms seem to offer comfort. 

Shells

Kitchen is a hand made knitted work, reflecting on the position of the woman in domestic space. The work is a life size reconstruction of an actual sink with taps, piping and drain. 

Kitchen

Cell is a life size knitted reconstruction of a woman's prison cell from 19th century. The work is completed with part of the floorplan drawn with Velcro tape. The work can be accessed to experience the actual size. The knitted and stretched walls transform the space, giving it an almost womb-like feeling. 

Cell was created during an artist in residence at the Overslag - Eindhoven in 2009. Later exhibited in Kathmandu - Nepal, during a triennial 

Cell

Small project on the life of artist and botanical researcher Maria Sibylla (1647-1717), fascinated by her beautiful drawings, botanical illustrations. A portrait to honor her independent position in life and work as a woman.

Maria Sibylla

“We have lost the dark, dancing wisdom of woman, our deep ways of knowing, our creative, life-giving fire. We have become separate from the world around us; we’ve abandoned our roots in nature and the land.”

(If Women Rose Rooted – Sharon Blackie)

Ik wilde de aarde terugbrengen naar een vrouwenhand. Ingegeven door de wetenschap dat we met een opschaling en efficiëntie te veel van de aarde vragen. En een besef dat een paar duizend jaren geleden de kennis van de aarde en het bewerken daarvan veelal bij de vrouwen lag.

Feminiene kwaliteiten als zorg, openheid, gelijkwaardigheid liggen verscholen in deze ‘hand-held objects’.

Desiree de Baar

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